Robin Adams. One Day. Hamework Records

There’s a well-trod tradition of fragility and nuance in the singer songwriter folk tradition, Nick Drake being perhaps the best-known example. Delicate musings, as friable and beautiful as a spider’s web on a frosty morning can catch many emotions although they tend to veer towards introspection. For some reason, nature, and in particular, the seasons feature often, the writer observing their surroundings, more likely to be comforted by birdsong as opposed to hale and hearty greetings.

Glasgow’s Robin Adams is one such artist and at Blabber’n’Smoke we were mightily impressed by his impressionistic album, The Garden, back in 2015, where he delivered a fine set of songs inspired by the outlook from his window onto his garden while musing on his own struggles with his state of mind. One Day surpasses this as Adams offers up ten songs which follow a similar path but, to our ears, eclipse the earlier album.

The album opens with Adams almost whispering over an attractive soft shoe shuffle on A Friend Of Mine. His mild Scots’ brogue, the delicate guitar and subdued piano with brushed drums along with wispy harmonies set the scene for much of what follows. Recorded at home with Adams playing all the instruments and ably assisted by Amanda Nizic who adds her superb vocal support to Adams, the disc is one of those for which the word bucolic was coined but beneath the feather light delivery there is a seam of melancholy.

Dancer In Your Eyes has some of the lyrical qualities of early Incredible String Band woven within it while No Reason Why is somewhat breathtaking in its almost Presbyterian solemnity with Adams’ coming across as if he were a sweet voiced Ivor Cutler fronting Pentangle. That Cutler sense is maintained when a brief spoken interlude, a very proper sounding vintage BBC reporter, bridges into the next song, From A Dream, another excellent number which is perhaps the most folk like song here. Lyrically, Adams sets out the struggle between nature and civilisation as his “wee red robin” strains to be heard amidst the city sounds. With a rousing refrain, this song deserves to be heard far and wide.

While there is some gaiety on the winsome All Your Money, the remainder of the album is stolidly rooted in melancholy and, on a song written by Adams’ father, nostalgia. Market Convent Garden was written in the sixties by Chris Adams (of String Driven Thing fame), but never recorded. Adams Jnr. does his dad well as the song comes across like a hidden gem from the heyday of bedsit albums. However, the highlight of the album is perhaps Adams’ most personal song, Black Cloud. In its perfect simplicity and brevity, Adams approaches the darkness which clouded the likes of Nick Drake and Syd Barrett but here he is defiant as he rallies against it.

Simultaneously low key and spectacular, One Day is a delight to listen to.  

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  1. Pingback: Robin Adams on getting top marks for his homework | Blabber 'n' Smoke

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