So, what happens when two of our favourite Italian Americana artists, Edward Abbiati and Stiv Cantarelli, find themselves at a bit of a loose end? Well, they form a band, The ACC (The Abbiati Cantarelli Conspiracy), get a tough rhythm section in and, bada bing!, record a magnificent set of scuzzy rock songs which owe as much to Husker Du, Gun Club and The Stooges as they do to Neil Young and Crazy Horse. They’re aided and abetted in this endeavour by ex Green On Red keyboard player, Chris Cacavas, and lap steel player Mike “Slo Mo” Brenner, familiar to many from his playing with Marah, and the result is a grand holy mess, a churning broth of snarling vocals, wicked slippery guitars and muddy rhythms. As they sing on I Want You To Like Me, “Turn the music up, I want to freeze my brain.”
It’s not an album for the faint hearted especially as it’s best appreciated cranked up to 11 on the stereo and even then there’s a sense of, “Jeez, what would this sound like live?” but it’s not just noise as Abbiati and Cantarelli root the songs with melodious undercurrents and memorable choruses even as the guitars churn and boil in their cauldron, creating a mix of blues, hard rock, alt country and post punk grungy squalls. The opening Dog Beat The Devil snarls with slide guitar as they run pell mell through the song before the sludge like intro to the title song looms into earshot. With ominous organ work from Cacavas it’s like Crazy Horse battling Green On Red with the end result a draw while Richard Hunter’s harmonica work here adds a fly blown texture to the song. There’s a whiff of that so called “desert rock” in the twangy guitar reveries of Never Gave Up which sounds as if it was born out of Giant Sand’s Valley Of Rain album while Saturday Night is like a rumble in a juke joint which has R L Burnside playing on the jukebox as the guitars here flash and twist like switchblades.
They rumble on with I Want You To Like Me an evil sounding Stones’ like kick in the head, Crab Tree alternating between Flamin’Groovies like slide guitar and stoned harmony choruses, and delve into a nightmare world of drunken mayhem on the woozy Life’s Calling. The ace in the deck however is the final song, Old Satan Revisited. Based on an unreleased Townes Van Zandt demo recording, the words certainly have the familiar Van Zandt themes but the band go at it like hounds from hell. Magnificent.