The 12th Glasgow Americana Festival kicks off today as Bristol based Yola Carter brings her hi-energy mix of soul and country to Cottiers Theatre. Carter, winner of UK artist of the year and Song of the Year at the AMA UK awards is just the curtain raiser for a splendid roster of acts pouring into Glasgow over the next five days. Emily Barker, well known to many for her theme song for the BBC drama Wallander and for her spot in the opening ceremony at the London Olympics, will be showcasing her Memphis influenced soulful blues album Sweet Kind of Blue while Kimmie Rhodes, a true red dirt Texan legend is also coming along.
Nathan Bell, winner of the performer of the year award in 2017 by the influential website Americana UK returns to the city which he took by storm at Celtic Connections some 18 months ago and another singular performer, Anthony D’Amato is at the HIP place to be on the south side, The Glad Cafe. Also coming to the Glad Cafe are the UK “supergroup” Bennett Wilson Poole for their first Scottish appearance. This trio of seasoned and bloody brilliant musicians have dominated the UK roots Americana scene ever since their album came out earlier this year and this gig is definitely worthy of “bucket list” attention.
There’s plenty of home grown talent on show as Martha L Healy and Starry Skies both have album launch shows (with Healy’s show apparently sold out, sorry folks) while The Hellfire Club’s show at The Hug & Pint promises to be a hot and sweaty intimate shindig. And for an interesting mix of local and American acts there’s the ever popular Hazy Recollections revue which includes Woody Pines and Adriana Spina on the bill which this year is being hosted by Glasgow’s answer to Whispering Bob Harris, our very own Mike Ritchie. In addition to the main acts there are some great supports adding to the experience and the whole line up can be found here.
Check the links above for Blabber’n’Smoke’s thoughts on some of the acts and see some video evidence of the avalanche of talent coming this week. Get thee down there.
It’s been a while since Warren McIntyre and The Starry Skies released their well-respected debut album, Ask The Animals. Six years in fact. Now they’re back with McIntyre dropping his prefix to the band name although he remains the driving force behind the band’s pulsating mix of driving power pop and folkier material all filtered through an Americana sensibility. Be Kind is an upbeat album and McIntyre is on record as saying that, “One thing there is not enough of is people being kind to each other, it’s really clichéd but it’s nice to be nice. I decided I wanted to be more straightforward lyrically and send a simple message about spending the rest of my time on this planet being as kind as I can as much as I can.” Well he just about does that here although some of the songs on the album do wander into darker territory.
He sets out his Be Kind manifesto on the opening song of the same name. It’s a bucolic and gentle introduction to the album, McIntyre’s voice clear and gentle as he sings over piano and a string section. Glitter & The Glory then bursts into view with a bang as the band shift into a star spangled psych pop mode. With rushes of jangled guitar and cinematic sweeping strings and McIntyre spitting out his Dylan like lyrics, this is quite majestic in its multi layered splendour and dynamic delivery. Next up is another cracker in the form of the single lifted from the album, Starry Skies which has a George Harrison like slide guitar and psychedelic strings as the rhythm section drive the song along with Noel O’Donnel’s drumming quite the powerhouse. These two songs might recall the densely arranged psychedelic pop rock of the sixties but the band are also able to roll out their rinky dink salute to party girls out for a night on the tiles on High Girls which comes across like Alex Chilton fronting the funksters at Stax . Here the band hit a tremendous groove with pumping bass guitar from Jonathan Lilley and a whizz bang guitar solo from John Rooney as McIntyre leers but never becomes lascivious.
Bombs Betty is a fiery rocker with screeching fiddle from Heather Phillips although it suffers somewhat in comparison to the songs mentioned above as the band wail about an apocalyptic future. There’s more desolation in the landscape summoned up on Guns & Gold which is delivered here with a fine New York punk sneer and it allows McIntyre to return to his theme of kindness as he reaches out a helping hand to those affected by downtown mischief. That helping hand is there again on the gentle lope of I’ll Be There For You which is a country styled duet and which shows that the band can rein it in and still carry an emotional punch. Loving You is even more delicate as McIntyre and Heather Phillips swoon together on a tremendous song which in its hazy delivery recalls the likes of Lee Hazlewood and Nancy Sinatra and also Isobel Campbell and Mark Lanegan. For our money it’s the jewel in the crown here although the album as a whole shows that west coast Scotland can rival west coast America at times.
Starry Skies officially unveil the album with a launch gig on the 6th October as part of the Glasgow Americana Festival, all details here.