Vermont based Bow Thayer takes a mighty stride forward on Eden, his third album with his Perfect Trainwreck set up. Originally from Boston Thayer has featured in several bands as he has pursued his version of a driving folk, country and blues sound with his weapon of choice these days being an electric banjo. Eden finds him on top form as he crafts a powerful album packed full of melodic hard rocking songs with his signature banjo, pedal steel guitar and occasional horn section combining to create a big big sound. While at times it’s not too far removed from the “jam band bluegrass” of the likes of Trampled By Turtles Thayer reins any excess in and instead drinks from the cup of The Allmans, The Band and Tom Petty, a southern soup of sounds which benefits from a fine production by Justin Coup, producer of the late Levon Helm (Helm himself having played on a previous Thayer release).
The album opens with The Beauty of All Things which could be a Mudcrutch number with its Petty vocal similarities. It’s a great driving pop song that happens to feature banjo and a great opener. It gives way to the urgent thrust of Blackstone Valley which resembles a hopped up Midnight Rider. The combination of Thayer’s banjo and the rock thrust of the rhythm section is exhilarating and the soaring pedal steel adds a majestic feel to the song. The banjo/pedal steel interplay is excellent throughout the album and when a horn section is added as on Inside Joke one is bereft of comparisons and the only thing to say is that it works and it works wonderfully. Chuck in some fine organ playing to this mix and Perfect Trainwreck come across as the type of band Little Feat might have become if Bill Payne hadn’t been so jazz orientated and preferred his funk. There’s a soul stew of songs here that simmer and bubble with the temperature cooked up by Little Feat on Oh, Atlanta or Feats Don’t Fail Me Now. Trials, a fast paced greyhound of a song again features horns while the title song chugs mightily like the Mississippi, churning away while Thayer conjures up a post apocalyptic vision. The Tide is a diatribe against pollution and features some magnificent slide guitar while the band swirls and eddies like the muddy Mississippi. The closing song, Happy Ending shows that Thayer and band can turn down the dials as they turn in an initially laidback performance that grows in intensity as Thayer again delivers an apocalyptic vision that howls eventually with a burning anger. Tremendous stuff.
Finally I guess it’s safe to say that Eden is something of a concept album with several of the songs portraying folk preparing for the end of the world and eventually emerging after a cataclysm to make some sense of what is left. In the centre of the album Thayer plays a mini song suite, Parallel Lives that could have been oh so pretentious and there is a slight whiff of the Eagles Journey of the Sorcerer in there. However he ties together the tale of an old man unburied due to the catastrophe and the end of rivers and trees with a sublime instrumental and a redneck rail against the injustice of it all. It’s not prog rock and the songs all stand on their own two feet so concept or not do dive in.