Don Gallardo. The lonesome Wild. Southern Carousel records

5galb01923767Somewhat out of the blue, Don Gallardo released The Lonesome Wild on Thursday to coincide with his latest UK and European gigs. Currently it’s only available to download via the usual online outlets so if you’re going to any of the upcoming shows in Germany don’t expect to see it at the merch table. Stylistically it kind of sits on a fence between Hickory and Still Here with fewer of the country inflections of the latter, leaning more towards the former’s California roots.

Gallardo opens the album in troubadour mood on the very fine Just Another Yesterday Song, sounding for all the world like Steve Earle aping Neil Young. Even more stripped back is the downbeat cover of Andrew Comb’s Too Stoned To Cry, one of the highlights of the album with a lonesome Dobro (played by Old Crow Medicine Show’s Joe Andrews) amplifying the strung-out ennui of the song. However, most of the album is composed of sweet (and occasionally sour) songs with dollops of pedal steel and slide guitars along with swathes of acoustic guitars and occasional mandolin and keyboard. Ghosts & Hummingbird reminds one of when Wilco was still playing “alt country” while Honeysuckle Rose glows with ranks of glistening guitars creating a slightly psychedelic haze with Gallardo’s vocals reminding one of The Beatles later pastoral moments. I Wish You Well has a similar haziness to it although here, the keen guitars allied to a sense of melancholia and Gallardo’s yearning vocals recall the glory days of Big Star. Interestingly Gallardo uses a couple of Beatles’ lines in some of the songs, see if you can find them.

There is some muscle involved as What We Were Yesterday buzzes with a Neil Young like corkscrewed guitar and Your Mistake snarls with an attitude, its gritty guitar and punchy beat almost NY punk. There’s some roustabout blues on What You Want which one would like to imagine could be a tribute to the late Mike Wilhelm. Anyhow, it has that insouciant old time swagger which was the trademark of the early Flamin’ Groovies, Sopwith Camel and The Lovin’ Spoonful, so full marks to it.

Radio Songs has to be mentioned as the focal point of the album. Almost veering into cosmic county territory due to its superb pedal steel colourings, at heart its soul is in the reinvented country blues of The Stones on Their Satanic Majesties and Rod Stewart on An Old Raincoat Won’t Ever Let You Down. Gallardo’s lyrics are stained with a doomed romanticism over a world weary guitar strum, snakelike slide guitar and that glorious pedal steel. Perhaps the best song we’ve heard this year so far.



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