Hot on the heels of his critically acclaimed retrospective collection, Too Broke To Die, compiled for the European market in view of his increasing popularity on this side of the pond, Jerry Leger excels on Time Out For Tomorrow. Harnessing his romantic troubadour persona to a mercurial band sound replete with sweeping organ and quicksilver guitars, Leger hits the bulls eye on each of the ten songs here.
Time Out For Tomorrow runs the gamut of classic Americana styled music. His band, The Situation, are quite superb throughout while the production (Mike Timmins of The Cowboy Junkies) captures every nuance. Consider the contrast between the opening Canvas Of Gold, a grand song borne aloft on swathes of slide guitar, and the crepuscular doings, singing saws and Romany guitar and fiddle on the dark ballad Survived Like A Stone. Both jump out at the listener allowing one to consider Leger equally adept at brash rock’n’roll and introspective meanderings. The album as a whole leans towards the former but when Leger turns inwards he offers us the glorious I Would, a glistening jewel of a song which floats over a simple country rock backbone with glowering guitar shadowing Leger’s achingly romantic lyrics. He takes to piano for another heartache on That Ain’t Here which is simply majestic. The song, so simple yet so memorable, has the tang of classic writers such as Lennon or John Hiatt.
There’s an undeniable whiff of classic rock throughout the album as Leger dips into the past to flavour his songs. Justine chimes perfectly with a mid sixties vibe, a conglomeration of visionary Dylan with sparks flying from guitar and organ as if Bloomfield and Kooper were sparring in the studio. Read Between The Lines rattles along as Leger testifies with an anguished passion over an excellent mash up of tin pan alley melodrama and a hip Chuck Prophet like insouciance. This potpourri allows Leger to deliver songs like Burchell Lake, a faded portrait of a once thriving community featuring snakelike slide guitar, along with, what is possibly the best example of the band’s mastery of dynamite dynamics here, the bustling romance of Corner Light, a song to savour. Leger closes the album with the sweet country rock themed Tomorrow In My Mind which has echoes of John Hartford woven within it. A lovely close to a great album.