From Ashville, North Carolina, The Honeycutters’ last album, On The Ropes, was on several best of lists at the end of last year with the majority of reviewers homing in on singer and songwriter Amanda Anne Platt, the de facto leader of the band. On the eve of their first tour of The UK, they will release their newest, self-titled, disc. Self titled perhaps but Ms. Platt has decided to step up to the plate with this one, the result being the newer moniker of Amanda Anne Platt & The Honeycutters. Blabber’n’Smoke spoke to Amanda last week and we started off by asking her about the name change.
I’m sure that you’ve been asked this by everyone and it’s mentioned in the press release but can I ask you why you’ve finally put your name out front before the band? I mean you’ve always been the focus of the band and you’re singled out in reviews and I was wondering if it was a way of you reminding people that, with the great wave of female artists that are about now, that you are one as well.
It’s been a topic that has come up with every album we’ve put out. Should we use my name or the band name? Even on our first album back in 2009, we considered it but in recent years there have been some changes in the band line-up that made me think more about it. To be honest, my co-founder and ex boyfriend who played guitar in the band until 2013 came up with the name so after he left, it’s felt a little odd using it. However, I think it’s a good name and as the band has grown and changed that name has grown new significance, so I don’t want to part with it completely. Nevertheless, putting my name out there has at least given me the feeling of more freedom from the past. It does also feel as though I’m claiming some girl power, I suppose. Instead of just being “the chick from the Honeycutters.”
Your last album, On The Ropes, seemed to be less reliant on mandolin and Dobro with pedal steel, electric guitar and organ more to the fore with something of a soulful feel on several of the songs. I think that this is continued on the new album with an even “rockier” touch on Diamond In The Rough. Are you becoming more “country rock” than country or folk as you progress?
I think that’s a fair statement. Although who knows, the next album might be all acoustic! I’ve definitely been enjoying the “rockier,” more soulful feel of the band. When I first started playing my songs in front of people I was really in a period of backlash against all the punk rock that I got into in my teens. I grew up listening to country, folk, and blues at the hands of my parents, then rebelled against that in my teens, and then rebelled against myself by getting really heavy into old time country music like The Carter Family and Jimmie Rogers. So when I put my band together I had more of an ear for the acoustic instruments. It’s not that any of that appreciation has waned, but throughout my twenties I started listening to a lot of rock ‘n roll from the sixties and seventies and let that leak into my songwriting a little.
I’ve noticed in several of your songs that you sing about love’s bitter twists and its general unfairness regards women. Songs like Me Oh My, Not That Simple, Blue Besides and Golden Child. I was reminded at times of the likes of Loretta Lynn. Do you think that all is not fair in love and war?
Well, sometimes it’s not fair. With Me Oh My, that’s a song that I wrote when I was feeling the impossibility, as a woman, of having a good home and family life and also being a touring musician. I was 25 then and I had a lot to figure out about what I wanted and what my options really were. It’s not that I’ve figured all that out here at 31, but I think I see things a little clearer. A couple of those songs– Blue Besides and Golden Child, are also less about heartache (at least for me – I like a listener to be able to take away their own meaning) and more about accepting the grey areas of life and not giving up on a dream because you hit a rough patch. But to really answer your question, I think women do have a tougher go of it in love and in business sometimes. But there again, what does not kill us makes us stronger. In addition, you might get a song out of it.
The new album has songs about getting older (Birthday Song) and bereavement (Learning How To Love Him). Do you find yourselves thinking about “time being a gift” as the years go on?
I do, absolutely. This past year I’ve been confronted with several acquaintances losing their spouses and, more recently, the death of someone young that I’d worked with. It just puts things in perspective. Birthday Song was written on the eve of my thirtieth birthday when, instead of feeling panicked about the end of my roaring twenties, I found a patch of gratitude for being older and wiser, wise enough to know that I still don’t know anything and that’s OK. When I wrote Learning How To Love Him I was writing a love song, not a death song. I was imagining the whole of a life spent with someone in love, the ups and downs, fear and faith. We should all be so lucky to stick it out that long.
The Guitar Case is about life on the road, the ups and downs of touring and playing and although the refrain (the sun is shining…) seems quite optimistic overall, you paint a pretty grim picture of repetition and almost boredom. Is this your life on the road?
That was a very particular moment on the road. Not an isolated event by any means, sometimes the road just sucks. But the payoff of that is that when we hit the stage and I’m making music with people I love, it’s fucking fantastic. Nothing can top that. We’ve had many ups and downs and it’s easy to be bitter and I indulged that bitterness just enough to write that song. As we’re talking however, I’m staying at a beautiful hotel in Telluride Colorado with a panoramic view of the mountains. We’re all going to go for a hike before soundcheck today. This is also the road. Sometimes that dim light becomes blinding!
Eden is an exceptional song and the fate of the woman, stranded in Indiana after losing her job and her husband reminded me a little of The Ballad Of Lucy Jordan, the character looking back and regretting things, realising she’ll never get to do the things she really dreamed of, exiled from Paradise. Can you tell us a little bit about how you came to write this one?
I’ll start by saying that I was not raised in a religious household nor do I feel any affiliation with organized faith now. But I have always been fascinated with this idea of the Garden of Eden, the Fall from Innocence, and especially with it somehow being Eve’s fault. To me, I was writing a story about a woman who feels like I have felt at times living in this country, that she wants to get out into the middle of nowhere and let life be SIMPLE. There’s a lot of noise these days, and the “American Dream” gets shoved down our throats more and more while attaining it gets more and more impossible. Even faith gets convoluted with power and politics. It’s tempting to stop trying to make anything better and just escape and feign ignorance.
I believe that originally you are from New York. How did you end up in Asheville? I read somewhere you wanted to be a luthier and that’s what led you there, and how did you get into song writing and performing?
I did move from New York to Asheville to be a luthier, or to learn the trade. I built the guitar that I play, but haven’t finished anything since! Music got in the way, Ha! I also had recently dropped out of college and needed to put some distance between that whole situation and myself.
I started writing while I was still in school. I lived about two miles off campus and would pass by a music shop when I walked back and forth and, as I mentioned I was really into early country music at the time and I noticed a banjo in the window one day. So I bought it. I think I started writing songs as a way to sort out my feelings about leaving home and everything I had known for the first 17 years of my life. Also, I wrote a fair number of songs instead of doing homework. I started playing them at open mics in the area and got some encouraging feedback. Since then it’s just been a series of small, logical steps.
You mentioned some of the musical styles and artists you were listening to in the past but can I ask you who has influenced you as a writer and singer and also who have you been listening to recently?
I sometimes feel like I’ve been influenced by anyone and everything ever but that’s a cop out. Like I said, I was brought up listening to a lot of earlier country artists like Earnest Tubb, Patsy Cline, The Louvin Brothers and Hank Williams. My dad is a huge fan of the blues, so artists like Howlin’ Wolf, Muddy Waters and Lightnin’ Hopkins were well represented too along with folk music of the sixties like Joni Mitchell and Phil Ochs and Bob Dylan. My parents met and married in Austin, Texas in the seventies so the songwriters of that time and place were part of my upbringing too. I remember being a little older and listening to Lucinda Williams and Jimmy Dale Gilmore, Guy Clark and Jerry Jeff Walker. The first CD I remember having for myself was the Rolling Stones’ Hot Rocks I’m a Stones over Beatles girl if pressed to choose (luckily no one ever really has to). In my teens I loved punk rock and grunge – Rancid, Gogol Bordello, Green Day and I was a huge Radiohead fan but I also liked straight ahead rock like Tom Petty and Bruce Springsteen. Then there came the string band stuff and classic country. I developed a great love for Creedence Clearwater Revival in my 20’s then The Eagles, JJ Cale, Nina Simone, Warren Zevon, and all the stuff that now passes for “classic country,” Georges Jones and Strait and Conway Twitty and Charlie Pride and Tammy Wynette and Loretta and all of that. That’s the short version, I’m leaving so much out! Right now I’m totally hooked on Bruno Mars’ latest album 24k Magic. I think he’s a force for good in the pop music world. And anything Chris Smither ever does I think is brilliant.
Finally, you’re coming to the UK in August for a lengthy tour up and down the country. You don’t have many days off but is there anything you are particularly looking forward to doing or seeing?
I’d like to see some castles! And some honest to goodness British Pubs. We have a lot of what I think are good imitations in this country but I want to have a pint and eat some fish and chips – the real thing. Mostly I just love meeting people and swapping stories, so I’m excited to get out of this country for a minute and hear some different perspectives.
The album, Amanda Anne Platt & The Honeycutters. is released on Organic Records on Friday 4th August and the tour commences on the same day, all dates here.