It’s hard to believe that it was back in 2005 when Blabber’n’Smoke first heard Adriana Spina when her debut EP, A Thousand Lives was released. Since then the Scots singer/songwriter has been on the road gradually working her way up the ladder to the point where she has landed prestigious support slots for the likes of Joan Armatrading, Eddi Reader, Dar Williams and Sheryl Crow. On the recording front, she released her debut album in 2011 and now, after a successful crowd funding campaign, she unveils its follow-up, the highly accomplished Let Out The Dark with its lead single, Sparkle named as a single of the week by Radio Scotland’s Janice Forsyth.
Spina sits comfortably within the sphere of artists such as Mary Chapin Carpenter, her songs are modern folk tales set within arrangements that can be subtle or rock out with some finesse as on the radio friendly Disappear which appears towards the end of Let Out the Dark. With its surging guitars and Spina’s dynamic voice which manages the twists and turns of the song excellently it’s perfect for spinning on the road on a sunlit day. Hear It From You is another rocker that just fails to capture the heights of Disappear but it belts along with some vigour while there’s an REM glimmer to the guitars on Spina’s ode to refugees on See Another Day. There’s a similar brooding guitar delivery on the love gone cold tale of The Same Drum, a song that matches the best of many of her US contemporaries.
There are more introspective moments and the album opens with perhaps the best one, the slow toll beat of Home with Spina pondering on a relationship that’s perhaps damaged beyond repair. Her voice here is a delight, multitracked to provide her own harmonies while the band (Stuart MacLeod and Ross McFarlane) with Spina on acoustic guitar spin a delicate web that recalls some of Richard Thompson’s darker work reminding one of the album Shoot Out The Lights. Two Steps has a cold Northern feel to the music which is amplified by some of the images in the lyrics with Spina again reflecting on love lost and while one might initially think that Don’t Recognise Me, a delightfully simple rendition with only Spina and her guitar on show, is yet another ode to lost love the lyrics seem to allude to childhood and adolescent years with a family member.
Sparkle is a miniature gem, a Christmas song of sorts but one that finds Spina forlorn as the strains of Band Aid on the radio signal another year over and she ponders on whether she should surrender to the myths and jollity of the season. Throughout the album there’s a thread of abandonment and the closing song Where You Are is a bare boned bedsit wallow with Spina turning the blame for a failed romance on herself as she echoes early Joni Mitchell in some of her phrasing. A lovely end to a very fine album.
To celebrate the release of the album Adriana Spina has a launch party at Glasgow’s The Flying Duck on March 24th before embarking on a brief tour around the UK. All dates here.