It was a welcome return to Glasgow for The Handsome Family and a solo debut performance tonight from fellow Loose Records artist Courtney Marie Andrews, the sold out show proof that even on a storm-ridden weekday there’s an audience for quality music in Glasgow.
Not her first time in Glasgow (she previously was here as a backing singer for Jimmy Eat World which she remembers primarily due to a beer swilling “taps aff” fan) Ms. Andrews’ appearance was keenly anticipated, many of the crowd seeming to be familiar with her latest release, Honest Life. Her set was short but compelling, her voice crystal clear, the songs lonesome reflections on life delivered perfectly. There was some tasty pedal steel accompaniment from Bryan Daste on several of the songs with Andrews’ guitar picking confident as displayed on the sublime delivery of Woman Of Many Colors (from her 2013 album On My Page). Rookie Dreaming and Table For One were somewhat sublime, the latter suffused with the loneliness of the long distance traveller and the song tonight that did recall the tundra like epistles of Joni Mitchell with whom Andrews has been often compared to. And while Andrews does court comparison with some sixties and seventies icons (I heard someone even say that in appearance tonight she looked a bit like Melanie) she has surely proved with Honest Life that she has moved on from such forebears, the emotional heft of Not the End which tonight sliced through the venue proof indeed. There were similarly powerful performances as she sang Honest Life and Put The Fire Out, the audience in her hand and it was a pity that we were allotted such a short time in her company. Whispers are that Ms. Andrews will be returning in the not too distant future, if so be sure to catch her, she is a gem.
Ah, The Handsome Family, the Morticia and Gomez Addams of Americana, a deliciously dark and twisted invite to visit an America peopled by freaks, mutant animals and fast food addicts getting their fix in lurid plastic palaces; they really have no equal. On record they continue to hone their audio alternative to David Lynch but live they open up with the songs punctuated by the superb (and achingly funny) repartee between Rennie and Brett, almost as if they were in a reality TV show featuring the battling Sparks family. Tonight, in-laws, depressing vacations and Brett’s mixture of lager and Lemsip (or Lemsick as Rennie renamed it) were running throughout the show, the pair bickering wonderfully. It was all hugely entertaining, at times rib tickling, but ultimately the repartee led into the songs which did not disappoint with a fine overview of their many albums including several from last year’s Unseen. They opened with the Gonzo reportage of Gold, a surreal tale of a robbery at their local Stop’n’Go (now closed) and the old favourite (and Christmas themed) Too Much Wine and then headed into the addled The Loneliness Of Magnets with Brett singing like Mel Torme on psilocybin, the song dedicated to an audience member’s birthday.
The favourites came and went. Back In My Day, Weightless Again, Bottomless Hole, Tiny Tina, all delivered brilliantly, Brett’s deadpan baritone backed by the very fine band setting. Rennie on ukulele bass or autoharp, percussionist Jason Toth and a new family member, Alex McMahon on guitar, pedal steel and plastic organ along with Brett’s dynamic guitar delivered dark Gothic spells and toytown magic equally well. And of course they visited that nugget which allowed them their moment in the sun (surely anathema for such a crepuscular couple) with a fine delivery of Far From Any Road, chosen as the theme song for True Detectives some years back. As Brett said tonight he watched the TV and saw into the future, more people coming to their gigs. Fortunately they have spurned the silver dollar and continue to purvey such eccentric songs as Octopus and Frogs, both delivered tonight and much more fun than listening to David Attenborough. The Handsome Family remain a singular delight and long may they do so.