Naim Amor is yet another of those European artists lured into the lair of Tucson to collaborate with members of Giant Sand and Calexico and who forgot to return. A French native, Amor was quickly assimilated into the local scene along with his then partner, Marianne Dissard, releasing albums as part of Amor Belhom Duo and ABBC, before going solo. Retaining a European sensibility on his own albums, often singing in French and often reaching into the world of La Variete, that particularly French version of pop music, Amor can come across as an Arizona equivalent of Stan Getz in his bossa nova days. He delivers sumptuous candy floss sounds that caress the ears of casual listeners but which reward those prepared to dive in for a longer look (and listen) with the cream of Tucson musicians and producers all grooving to this sunny Mediterranean sound. It’s significant that at times one imagines Amor’s music sound tracking films by Jacques Tati and even early Roger Vadim as he has a fine sideline in composing film scores and has released a series of instrumental albums for imaginary movies.
Hear The Walls, Amor’s latest offering, features for the most part Amor on guitars and vocals with Giant Sand’s Thoger Lund on upright base. Recorded straight to tape with some string overdubs added later it belies its simple conception as the warm sounds caress (that word again but there’s no other way to say it) and envelop the listener. Using a variety of guitars Amor sounds as if he’s sitting beside you gently plucking or strumming while his voice is a hushed and evocative Parisian come on, as French as a pack of Gitanes, a youthful Serge Gainsbourg. It’s a sonic delight and credit must go to Jim Waters who recorded the album and Jim Blackwood who mastered it. Amor says of the album
“When you turn the music off, you can hear the walls-the sound of one specific place, it’s nude ambiance that makes it so unique. This album fits the moment and the place when you decide to finally turn the music on again…and listen”
and it’s true that this is essentially an ambient album that can transport the listener to another place. The opening song Live For It inhabits the same universe as Angelo Badalamenti’s music for Twin Peaks, a surrealistic netherworld where people swim in thick air never needing to surface for breath. Turn The Magic On is a sound map to late night silence, that space when the music stops and one reflects on what was heard, a familiar feeling for those caught in the endless embrace of listening, a favourite album conjuring up moments past, moments lost perhaps. Seulement Toi echoes these solitary moments with liquid guitar sounds that recall The Durutti Column’s cascades while Over the Miles throbs with a warm heartbeat. As Fast As The Tall Ships Go is a magnificent instrumental with Lund’s bass playing adding a tenebrous sonority beneath rippling guitars with the end result not too far from a Nick Drake recording. In The Blue Waters Of My Mind could be on the Popeye soundtrack, its watery immersion reflecting clear blue depths. Cherches Dans La Brume continues in this vein but No Way Back then moves into neurotic chamber pop territory, pizzicato strings amplifying the anxiety in the lyrics. The most cinematic piece here, Au Large de Tres Bras is a halting and sombre moment with the strings foremost but careful listening reveals some discordant guitar trickery in the background that adds to an overall sense of menace such as that conveyed in Polanski’s Repulsion. Some might find that far fetched but several late night listens here have evoked that response on each occasion. Au Rouge De Ton Baiser is late night France, seductive and mysterious, a Brassai monochrome set to music and the album ends with two more evocative instrumentals which demonstrate Amor’s two worlds, Learning America welcoming a new country while Cours La Rejoindre seems to wave farewell to the past.
As we said above this is sumptuous music to wallow in, a delight to listen to, a late night offering that will have you dreaming of Parisian spires, cobbled lanes and films from Marcel Carne and Jean Vigo. Enjoy.