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Posts Tagged ‘Ronnie Lane’

When the late Ronnie Lane left The Faces in 1973 he surprised everyone with his next move. Forming a band, Slim Chance he took to the road in a caravan and set up shows in a tent. A world away from the rock’n’roll route his former band mates Rod Stewart and Ronnie Wood pursued, Lane’s vision of a bucolic English entertainment briefly captured the limelight before he tragically succumbed to MS.
Enter Des Horsfall. Thirty years on he’s trying to capture the spirit of Lane’s endeavour on a trilogy of albums that he hopes will reflect the original Slim Chance releases. Naming his band after a Lane song, Kuschty Rye, which befitting Lane’s attempt to emulate a gypsy lifestyle was a Romany term that loosely translated means a “good gentleman, someone in touch with the Romany ways, Horsfall gives us an album of jaunty acoustic singalongs which do have a louche swagger about them. Rather than offer a straightforward album of cover versions the Lane connection consists of covers of Careless Love and The Poacher with eight self penned songs that share the loose, slung together attitude of Slim Chance. With assistance from members of Slim Chance including Benny Gallagher, Charlie Hart and Steve Simpson Kuschty Rye deliver a rootsy, acoustic based run through of blues, folk and Cajun influenced songs that approach the likes of Ron Kavana. The most successful of these is No-one Talks.
Although it’s a nice conceit to offer a tribute to Ronnie Lane Horsfall goes one further in two respects here. The presentation of the album approaches deluxe proportions. Horsfall poses with a portrait of Lane and a copy of Anymore for Anymore on the cover of a handsome hard backed case and booklet packed with information, a tale on how Ronnie influenced Des and bizarrely a golden key and a sample of Yorkshire tea, the eponymous good gentleman’s tonic (all is revealed in the booklet).
More importantly Horsfall tells the tale from the booklet on the last piece on the album. Called the Unwinese Mix he reaches back into the past when Lane was a Small Face and Stanley Unwin, professor of gobbledegook (or Unwinese), a nonsense language, narrated The Tale of Happiness Stan on the album Ogden’s Nut Gone Flake. With the assistance of Unwin’s son, John narrating he reprises his album ending with The Poacher. With this he shows that Lane, despite the rock trappings always had a foot in English highways and byways. God knows what he has planned for the follow up albums.

http://www.myspace.com/deshorsfall

No-one talks

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They say you can’t judge a book by the cover. Likewise this album. Tensheds (aka Matt Millership) is pictured on the sleeve looking like some Bowie clone from the early seventies and his publicity sheet has him resembling the boa feathered Eno from back in the Roxy Music days. So all in all one was expecting a glam rock rehash full of synths and retro seventies riffs. Instead there was an album that owes more to the early balladry of Tom Waits and at times a touch of a country jaunt
Opening with Go Out On the Weekend Tensheds’ debt to Waits is obvious and even more so on Angel of London where he sings lustily over swirling organ and some great horns. Vocally Tensheds has an attractive husky delivery that works as well in a delicate ballad such as Stains as on the uptempo City of Dreams which is reminiscent of Ronnie Lane’s Slim Chance with its saloon bar piano.
While the majority of the songs are piano based there are a couple of songs where acoustic guitar is prominent. Of these Flying Cars (with a lyrical nod to Life on Mars, so the Bowie look might not be so coincidental) is an excellent embittered tale of regret rendered from a cheap hotel room. The closing song, Paradise, with atmospheric guitar and percussion that does recall some of Eno’s ambient music is eerily beautiful, a song about death and memory.
The album was released on November 1st and Tensheds is currently touring.
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City of Dreams

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